One photography for each year beginning 1973 and a story giving context to each image and how it connected to his own life at the time.
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Capturing both the sublimity and grandeur of these peaks, and quietly reflect on our human interaction with nature.
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I have stated on numerous occasions that I do not include people in my photographs as I feel they gave away the scale and became the main focus of the viewer’s attention. Most of my photography relates to the presence of absence.
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The dense forests and their gaps of light as well as the tiny trees isolated within idyllic landscapes highlight the diversity of the photographed specimens as much as the plurality of the compositions.
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The rise of a powerful cotton and wool industry, and the building of innumerable mills, canals, railways, chimneys and terraced worker house.
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The Ratcliffe photographs take on the tonal quality of a partially lit ecosphere unique to the photographer and his subject.
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I have photographed countless trees, but this one had a special character, like an oversized bonzai – elegant, and graphically powerful. There was something quintessentially Japanese in its shape, reminiscent of a woodblock print…
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Hokkaido is a precious treasure. I have found it to be highly intriguing, gently seductive, dangerously wild and hopelessly romantic.
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The landscapes are weightless and look like they are dancing buoyantly in midair, mountains are not solidly stable on the earth, they look insecure, as if they could be blown away by a single breath.
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His images play with the psychology of the night, with the fears and mysteries of darkness that lead us to shelter and light in the safety of our homes.
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