A collection of observations about the unfolding of days, made either in the hours before sunrise or very early in the day when the light is new, shadows are long, and hope is eternal.
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One photography for each year beginning 1973 and a story giving context to each image and how it connected to his own life at the time.
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A series of suspended parentheses with the living, the manifestation of waking dreams before the magic of nature, all captured through his profound sensitivity.
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Capturing both the sublimity and grandeur of these peaks, and quietly reflect on our human interaction with nature.
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The rise of a powerful cotton and wool industry, and the building of innumerable mills, canals, railways, chimneys and terraced worker house.
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The Ratcliffe photographs take on the tonal quality of a partially lit ecosphere unique to the photographer and his subject.
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I have photographed countless trees, but this one had a special character, like an oversized bonzai – elegant, and graphically powerful. There was something quintessentially Japanese in its shape, reminiscent of a woodblock print…
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A journey through damp lit streets of anonymous cities, an experience that could be frightening – alone, in the dark – but is here infused with poetic sensibility and intrigue.
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These images inspire a sense of the deep and quiet interaction between the beholder and the landscape, and the physical presence of earth, stone, tree and sky.
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Hokkaido is a precious treasure. I have found it to be highly intriguing, gently seductive, dangerously wild and hopelessly romantic.
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Alluding to and providing form for this notion of an apocalyptic, never-ending winter.
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The landscapes are weightless and look like they are dancing buoyantly in midair, mountains are not solidly stable on the earth, they look insecure, as if they could be blown away by a single breath.
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