A study of the relationship between the built landscape and the organic forms that exist in between the architecture.
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This book highlights my love of the big vista in landscape photography.
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These images inspire a sense of the deep and quiet interaction between the beholder and the landscape, and the physical presence of earth, stone, tree and sky.
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Hokkaido is a precious treasure. I have found it to be highly intriguing, gently seductive, dangerously wild and hopelessly romantic.
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The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows.
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I have a keen sense that I’m assembling a large and complicated jigsaw puzzle with little idea of what the final picture will be. Nevertheless, America continues to enthral and frustrate me in equal measure.
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Alluding to and providing form for this notion of an apocalyptic, never-ending winter.
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The landscapes are weightless and look like they are dancing buoyantly in midair, mountains are not solidly stable on the earth, they look insecure, as if they could be blown away by a single breath.
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