At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses.
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I returned here, to a small bridge across the river, more than I did to any other place, taking pictures of the river against the moor and a wild patch of forest in the distance.
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What I did find was an empty street, graffiti and a lot of rubbish - all of which seemed to have potential so I started taking photographs.
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As the dark of the dusk gradually gathered I sat on a log to sift through the thoughts and emotions of the day. Gradually I became absorbed in what was in front of me.
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A poetic look at this river around which all those who have been able to approach it, and take the time to observe it, have developed a strong, intimate and visceral bond.
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They are stories filled with dreamy childhood memories and an anxiety shaped by the backdrop of war.
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Black and white correspond to what I want to express: the passing of time, intimacy. The timeless and nostalgic side.
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A collection of observations about the unfolding of days, made either in the hours before sunrise or very early in the day when the light is new, shadows are long, and hope is eternal.
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Unlike other weekly competitions it has no affiliation to a company or agendas from individuals, just wholly for the experience of sharing.
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Suspended above the streets of Kathmandu, a tangled web of wires tells the story of rapid expansion and adaptation.
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Unlike other weekly competitions it has no affiliation to a company or agendas from individuals, just wholly for the experience of sharing.
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The amount of water on our planet has remained more or less consistent since the Earth was created some 4.6 billion years ago. Only very small amounts of water have been added by meteorites that have collided with Earth.
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The mountains of Hokkaido, photographed like a distant planet. Landscapes beyond recognition. Unearthly scenes from a primordial world.
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Winds of Change reflects on a difficult and uncertain time in Britain’s history and my own personal fears and anxiety about not only Britain’s future, but the future of the world and its effects on those close to me.
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One photography for each year beginning 1973 and a story giving context to each image and how it connected to his own life at the time.
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A series of suspended parentheses with the living, the manifestation of waking dreams before the magic of nature, all captured through his profound sensitivity.
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This fine art monograph collects many of the best of Sirens from 2016 to 2023, including some never before published.
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A portrayal of this lively and ever changing neighbourhood, capturing the variety and vibrancy of a whole suburb.
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A collection of interviews with exceptional landscape photographers collected and edited by René Algesheimer. These photographers have mastered their craft like no other and have helped shape the entire discipline.
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For me, woodlands are a place where the noise beings to silence. Not just outside of myself, but also inside.
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The results of a five day trip to explore the shoreline towards Montreaux.
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A new body of black and white images around imperfect connections.
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Portraying something of the curiosity and wonder at the shapes, strong lighting and contrast I felt at seeing these otherwise unnoticued details.
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The Eastern Shore would show up like a mirage on the north horizon line across the Chesapeake Bay, some days it was visible, others it was gone.
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