The 2021 Annual of photographs from New York City.
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This body of work creates a powerful portrait of the role women play in contemporary farming practices.
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The Anthropocene and the uncertainty of climiate change through the use of camera-less photographic processes which I have created as part of my final major project at college.
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It was a surreal journey; the cold war had become distinctly colder with US president Reagan talking about “the evil empire” and a dying Andropov convinced that a nuclear strike was coming.
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West Kennet Long Barrow with a 1931 Box Brownie camera.
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Santiago Calatrava has created a set of unique buildings brimming with graphical lines and shapes.
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Spending just a few months in the winter of 1958, capturing an extraordinarily powerful vision of the city.
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The work covers 1992-94 when I made several trips to the city to document the aftermath of one of the most momentous political and social events of the late-20th century.
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Gefeller takes at least two shots of utility poles vertically from below. In the subsequent digital composite the poles disappear, and the innumerable cables and transformers are converted into an abstract composition against a monochrome background.
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The long stretches of snow are tedious, however after the snowstorm when all the snow has settled, there is this endless expanse of white: pure, calm and silent.
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Documenting New York City and the hip-hop scene from 1994-2009.
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Mist-shrouded, granite peaks emerging from an ever-changing veil of clouds, sculptural craggy rocks on lofty cliffs, and weathered, oddly-shaped pine trees, depicted in all seasons and at various times of day.
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Capturing the highs, lulls, intimacy, and exhaustion travelling on the Tokyo subway in 1987.
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Beautifully calming black and white, long exposure imagery of water.
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The concept of #Sharemondays is a platform where photographers can share their images with one another on Twitter through a weekly competition.
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I am walking the margins of the village, up the earthen lane and across the fields which are normally dense with mud and the clotted footmarks of animals.
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When I first saw the White Cliffs of Dover from the deck of a ferry from Calais, I was smitten. I fell in love before I even stepped ashore.
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Quiet moments of calm, standing alone at the side of the lake.
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As a spontaneous reaction to their circumstances, for four days the MAP6 photographers documented their time in Finland during the start of the COVID crisis.
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He observes these objects with the precision of a natural scientist, bonding together things never before united and thus inventing stories we have never heard them tell before.
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The photography he brings from this location is intimate and classic in equal measure, displaying a personality only achievable through such familiarity.
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Let’s imagine a snow crystal, one of those wonderful structures that arise in some cloud or other at a temperature below the freezing point.
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I have become fascinated by the forms and shapes of certain elements and the thoughts and emotions that they inspire within me. It is my personal response to the way I see my environment.
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Birds' eggs are true wonders of the natural world: they are strong enough to protect the embryo as it develops, yet sufficiently fragile to allow the chick to hatch.
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